William Lindsay Gresham was born in Baltimore on August 20, 1909. His family moved briefly to Fall River, Massachusetts, in 1916, then to New York City, where he graduated from Erasmus Hall High School in Brooklyn in 1926. Gresham’s was a tortured mind and a tormented life, and he sought to banish his demons through a maze of dead-end ways, from Marxism to psychoanalysis to Christianity to Alcoholics Anonymous to Rinzai Zen Buddhism. From these demons came his novel Nightmare Alley (1946), one of the underground classics of American literature. He wrote one more novel, Limbo Tower (1949), which went largely unnoticed. Three nonfiction books followed: Monster Midway (1953), Houdini (1959), and The Book of Strength (1961). Nightmare Alley brought Gresham fame and fortune, but he lost it all. The second of his three wives, the poet Joy Davidman, left him in 1953 for the British author C. S. Lewis. He killed himself in New York City on September 14, 1962.
Nick Tosches is the author of fifteen books of fiction, nonfiction, and poetry. His most recent novel, In the Hand of Dante, was published in seventeen languages and selected as a New York Times Notable Book of the Year. He has long been working on a book about William Lindsay Gresham.
"The ‘nightmare’ of the title rings true, for this delirious and unstoppable novel…inverts the American dream. The plot turns the Horatio Alger myth on its head and the psychology leans on Freud, but the torment, the pervading sense that the human creature lives in a trap he or she is doomed never to escape, comes from the heart and mind of the author. Never was noir more autobiographical than here….Nightmare Alley remains a masterpiece, not only due to its driving narrative power, but because it’s underpinned by the premise that the human animal is alone, helpless in the face of destiny, stumbling in the dark, down the nightmare alley toward the inevitable wall of death at the end. Yet we can’t stop ourselves hoping, and fearing, that there might be something beyond that wall. The message of this disquieting book couldn’t be more human, yet that message is metaphysical rather than moral." —Los Angeles Times
“Nightmare Alley combines the creepy world of Tod Browning's movie, 'Freaks' with the relentless cynicism of a Jim Thompson novel.” —Time magazine
“For fans of vaudeville and magic, the book is a treasure trove of trade secrets.” —Walter Kirn, The New York Times
“Nightmare Alley is a portrait of greed seen through the rise and fall of a carny con man.” —Publishers Weekly
“Gresham…wrote with vivid punch and a close understanding of the carnival world.” —Los Angeles Times
A “remarkable study in the disintegration of carnival show heel.” —The New York Times
“An impressive low-life novel.” —The Observer (London)
“Mr. Gresham yanked the reviewer into the midst of his macabre and compelling novel, and kept him a breathless captive until the tour was over. It's a truly rewarding whirl through his nightmare alley…All of it adds up to Grade-A guignol with a touch of black magic about it…If you enjoy hundred-proof evil-and a cogent analysis of same with your nightcap-then, in the words of the Ten-in-One barker, hurry, hurry, hurry!” —James MacBride, The New York Times
“While Gresham is usually described as a 'popular novelist,' the epithet fails to capture his contemporary notoriety. Gresham wrote the 1946 best-seller Nightmare Alley (dedicated to Davidman), a grotesque noir classic about the carnival demimonde, later made into an arresting film with Tyrone Power and Joan Blondell. One reviewer described the book as a 'tough, relentless, colorful novel that exposes the private world of the freaks in order to comment on a sick, degrading society.'” —San Francisco Chronicle"Certainly one of the most valuable reissues of the year." —Canada.com
“William Lindsay Gresham was obsessed by the darker side of circuses and carnivals. His knowledge was profound, his sensitivity to the vice and viciousness lying just underneath the tinseled, gaudy, surface, remarkable.” —John Howard Reid, Hollywood Gold
“Gresham…has something of Nelson Algren's mordant power in picturing denizens of the lower depths…his is a promising contender for heavyweight honors in the rough, tough and morbid division.” —Jack Conroy, The Chicago Defender